Millennia’s have a bad reputation. The media tells us they are entitled, spoiled and in constant need of approval. But I agree with James Wolcott who wrote in this month’s Vanity Fair; “We may need millennials to remind us what we should have remembered from the 60s, that social change comes only once you stop playing charades.”
Many of the young women I have met are passionate to make this turbulent world a better place. I admit, as a photographer working at the intersection of the women’s movement and goddess spirituality I have both a skewed and limited perspective. And yet, those I do meet are fiercely committed to a wide range of issues; the environment, animal rights, social justice, water quality, women’s spirituality, gender equality and more. Smart and entrepreneurial, these young women are using a new set of skills – social media savvy and technical acumen – to trumpet their demand for change.
Meet one such woman, Kiri Laurelle Davis; a filmmaker and social activist; a change maker; an artist with a mission.
In 2005, 16-year-old Kiri directed a short documentary film entitled “A Girl Like Me“. Kiri used her film to explore the standards of beauty being imposed on today’s black girls. This powerful, award winning film underscored the negative toll Eurocentric standards were having on African American young women, harming their self esteem, self-image and fundamental self worth. Not content to stop there, Kiri continued to fuse her passion for art and activism by creating the Just Us Project, a multi-media platform to actively address social justice issues through media, art and community outreach. Kiri’s first media piece under this new platform is Our Lives Matter, a public service announcement that poignantly focuses on the racial profiling of young black and Latino boys.
In Goddess on Earth, each portrait begins with the subject’s choice of a goddess archetype to embody, and emerges from a place to personal reflection. Prior to getting together in person, I had a pre-conceived idea of what Goddess Kiri would want to portray. She would be a fierce lioness; a warrior, a fiery spirit forging a new trail with her sword/ camera. In fact, during our early phone conversations, I misconstrued her words. Oya, a Yoruba Goddess of wind and destruction was the sacred myth I thought she said she related to.
Only hours before we were to meet, did she gently correct me. Oshun, the Yoruba Goddess of sweet waters and beauty was the archetype she wanted to portray for Goddess on Earth. Oshun, Kiri said, was a Goddess of love, a sensuous woman, flowing with joy and feminine sexuality. Oshun resonated with her.
“Oshun is noted for her beauty, which I feel goes beyond skin deep. I know the beauty in my reflection represents a rich culture of strength, creativity and brilliance. My blackness is beautiful to me because it symbolizes a fierce determination and perseverance. It depicts my own style, grace and a regal beauty that stem from my own distinctive and unique roots. I come from a people who have been exploited, enslaved, dehumanized, stereotyped and continue to rise in spite of tremendous obstacles.
Creating “A Girl Like Me” helped me develop a newfound courage and understanding when it comes to beauty and self love. Like Oshun, who represents beauty, love and art, I have found a loving strength and confidence in myself.
“I no longer look for others to affirm me. I affirm myself. I define myself. And with my art, I want to help women and girls celebrate themselves — even when others don’t. ” wrote Kiri.
YES! YES! YES! How fabulous! How empowered! How inspired! Here is a young woman, confidently embracing her own magnificence and using art to help shift all of our standards of beauty. Here is a young woman, while celebrating the 10th anniversary of her formidable first film, is creating new work teeming with grace, love and beauty, that tackles one of the profound problems of our time – racial injustice and police violence. I am in a state of wonder. Let us pay attention. We have things to learn from this generation.